“It was very degrading and humiliating. I felt like I was being violated and exploited. I felt quite disgusting, but I felt I had no choice,” Sara, who did not want to use her full name, told Guardian Australia.
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So much of the joy of these final sequences comes down to Hoppers' animation, which brings each of its characters to breathtaking life, hair by hair, scale by scale, and feather by feather. A particularly funny touch? Animals' appearances change based on perspective. When we're seeing them from a human's point of view, they seem almost toy-like, with black beady eyes and neatly kept fur. From an animal's perspective, their eyes are more expressive, and their other physical characteristics are more detailed and disheveled. When Mabel is in the beaver body, its fur takes on the same spiky swoops of her hair. The switches between these points of view turn Hoppers' third act into more of a riot than it already was. Truly, I wish I could experience it for the first time all over again.
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